Wencai Li: Founder of Modern Coke ink Painting in China

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There is a middle-aged painter in China. He is the founder of the new era dry brush coke ink painting school. His paintings have achieved great success in Chinese and Western thought.

He has developed a modern dry brush coke ink painting style in the form of Chinese traditional painting by skillfully combining human thought and language with the dry brush which represents the heaviness of history and the coke ink art full of Chinese culture.
Calligraphy and painting are the same as human observation and description of nature, but calligraphy can obviously be accepted by most people. Painting, in fact, is also written more artistically with the quality of calligraphy. Its charm is stronger and written with the main melody. Then a work is an aria and a work praising the beauty of nature.
Li Wencai’s works are written with a pen to release the wonderful description of nature in his heart. “
Among many ancient techniques of Chinese painting,
coke ink technique is an ancient and difficult expression technique. Due to the lack of traditional Chinese knowledge, there have been few successors in the past 500 years.
As a traditional Chinese painting technique, it has a long history. The painted pottery 5000 years ago was the method of burnt ink, and the murals rising in the Sui and Tang Dynasties were basically burnt ink.
Li Wencai’s Jiaomo painting pays attention to the charm. He never stops writing and pays attention to the skills and cultivation expressed by the change of ink color. He has formed his own Jiaomo landscape charm.
As for the application of the techniques of Jiaomo painting, Li Wencai said, “Jiaomo landscape”, as a technique of Chinese painting, uses pure Jiaomo instead of the penetration of water.
Jiaomo is a painter’s skillful and pure expression. Painters of all dynasties regard it as a way for painters to go out of Yangguan in the West.
The king of Jin’s investigation and literary talent already have the style of ancient and simple painting style, great pen power, elegant morality and beauty in both far and near.
Congratulations on Wencai’s achievements.

中国有一个中年画家,新时代枯笔焦墨画派创始人、其画作颇具中西思想大成、将人类的思想和语言以代表了历史的沉重感的枯笔与饱含了华夏文化的焦墨艺术上巧妙的结合而发展出了中国国画形式的现代枯笔焦墨画派。

书画同源于人类对自然的观察和描述,但书法显然可以为大多数人接受而为先行。画,其实也是以书法的品道而去更加艺术的写出来,其韵味更浓,以主旋律去写,那么一幅作品就是一首咏叹调,一篇歌颂大自然的美的作。

李文才的作品创作都是用笔去写,释放心中对大自然美妙的描绘。”

在中国画诸多古老的技法中,焦墨法是既古老又具有难度的表现技法、后人因为国学知识的欠缺,近五百年来颇后继乏人。

作为中国传统国画技法,其历史源远流长,五千年前的彩陶就是焦墨法,隋唐时期兴起的壁画基本上也是焦墨。

李文才的焦墨画,注重神韵,他笔耕不辍,注重墨色变化所表现的技艺和修养,已经形成了自己的焦墨山水魅力。

关于焦墨画的技法运用,李文才说,“焦墨山水”作为一种中国画的技法,采用纯焦墨而不借助水的渗透作用作画。

焦墨是画家的娴熟笔法而精纯极致的表达,历代画家视为画家悟道上的西出阳关。

晋王考察、文才的已经具备了画风古朴,笔力正大,道德高雅、远近皆美的大家风格。

祝贺文才取得的成就。

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